From the
beginning of the 1980s, AutopsiA (Prague-Novi Sad) presented itself through
music
production,
concerts, exhibitions and special publications. It insisted on an
exact media
articulation of each of its products even though it positioned itself
outside of
general media patterns. Standard mediatic forms were simulated
through the
method of pseudo-production. Based on its understanding of the
impossibility
of the work as a singular artifact, Autopsia produces images,
and, letting
them pass through conventional forms of communication, tries to
control
absolutely and totally its own production.
AutopsiA
Short Films
Reality
can only be grasped indirectly - seen reflected in a mirror,
staged in the theater of the mind.
We make ghostly films - haunted by great cinematic models:
Hans-J. Syberberg, Chris Marker, Akira Kurosawa,
and anti-models: Hollywood, MTV .
A posthumous films,
in the era of cinema' s unprecedented mediocrity.
The key to Autopsia films is beyond the narrative,
beyond the 'story' that we witness.
What provides the density of cinematic enjoyment
is material from beyond interpretation.
staged in the theater of the mind.
We make ghostly films - haunted by great cinematic models:
Hans-J. Syberberg, Chris Marker, Akira Kurosawa,
and anti-models: Hollywood, MTV .
A posthumous films,
in the era of cinema' s unprecedented mediocrity.
The key to Autopsia films is beyond the narrative,
beyond the 'story' that we witness.
What provides the density of cinematic enjoyment
is material from beyond interpretation.
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